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Scene from 'CoComelon Lane' depicting a boy cross-dressingX/Screenshot

(LifeSiteNews) – The top Netflix children’s cartoon CoComelon Lane went viral this week for a clip from a recent episode that promotes same-sex parenting and child cross-dressing.

The scene features a little boy dancing in a tutu while his two supposed “fathers” sing a song centered on the lesson, “Just be you.” This week, CoComelon Lane and the show CoComelon from which it spun off held the first and second slots in the Netflix Kids Top Ten rankings.

The clip went viral among conservatives, who slammed Netflix and CoComelon’s producers for depriving families of yet another outlet for safe children’s programming free from sexual indoctrination, and argued that it underscores the need for “non-woke” alternatives such as The Daily Wire’s recently-launched Bentkey platform:

The Daily Wire further reported that Candle Media, the company behind the CoComelon franchise, was founded by former Disney executives Kevin Mayer and Tom Staggs. “Earlier this month, Bloomberg reported that the company has more than $1 billion in debt largely due to failures of shows such as CoComelon to meet earnings forecasts,” the report adds.

CoComelon Lane joins a long list of supposed “family-friendly” entertainment properties that have promoted LGBT awareness, acceptance, and celebration to children in recent years, including Cartoon Network’s Adventure Time, Steven Universe, and Clarence; PBS’s Sesame Street and Arthur, Netflix’s Voltron: Legendary Defender and She-Ra & the Princesses of Power; Nickelodeon’s The Legend of Korra, The Loud House, and Blue’s Clues; Disney’s Star vs. The Forces of Evil and Doc McStuffins, Hasbro’s Power Rangers, Amazon’s Danger & Eggs, and Entertainment One’s Peppa Pig.

Whether intended to promote social agendas or merely to appease vocal and persistent “representation” demands, this infusion of children’s shows with LGBT characters and messages inevitably forces families into discussions for which parents may feel their children are too young, as well as sets impressionable young viewers on a collision course between the shows’ simple, one-sided, feel-good presentation of controversial issues and parents’ own values.

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